Your headshot is the first audition. It should look like you on your best real day — not a glamour shot, not a filtered avatar. Casting should be able to pick you out of a lineup from it.
It has to look like you now
Same hair, same general look, no heavy retouching. If you show up looking noticeably different from your headshot, you lose trust in the room. Update it when your look changes.
Expression and eyes
The eyes carry a headshot — alive, connected, thinking. A genuine, relaxed expression beats a forced smile. Many actors get two looks: a warmer "commercial" shot and a more grounded "theatrical/film" shot.
What to wear
Solid, mid-tone colors that flatter you and suit your casting type. Avoid loud patterns, logos, and pure white or black. Necklines that frame the face work best. Keep jewelry and distractions minimal — the shot is about your face.
Framing and light
Head-and-shoulders, eyes in the upper third, sharp focus on the eyes, soft flattering light, and a simple background that separates you from the wall. Natural, even light is your friend — the same principles as your self-tape lighting.
Budget options
A pro photographer who shoots actors is worth it when you can swing it. On a budget, a good camera or newer phone in soft window light, plain background, and careful framing can produce a usable shot — just keep it honest and unfiltered. Put your best shot on your acting resume.
FAQ
How many headshot looks do I need?
One strong, current shot is enough to start. Many actors add a second look (a warmer commercial shot and a grounded theatrical shot) as they progress.
Can I take my own headshots?
On a budget, yes — soft window light, a plain background, sharp focus on the eyes, and no heavy filtering can produce a usable shot until you can hire a pro.